Music is a territory where Balaji Telefilms have remained over the top, generously using popular film numbers in their shows. For a story that surely had the potential to be a gripping series, that’s a shame. The storytellers keep delaying the inevitable with sequences that have no relation with the plot.
#Ragini mms 3 plot series#
The pace of the series too is one of its biggest concerns. The consistent double entendre and references to one’s private parts in the garb of humour are too silly to even provide unintentional humour. The homosexual angle to the franchise feels slightly forced and it does little to change the outcome of the series. Though the ideators seem to have worked hard to find a balance between the horror portions and the erotica, the series reaches a point where it delivers neither. For those interested in the soft-porn territory of the series, most of the lovemaking sequences are shot passionlessly and frankly, there are better alternatives for a viewer to resort to. The thrills are hardly spooky this time despite the best of efforts from the composer to generate a few jumpscares. Though the story of the series is reasonably impressive and layered, the execution isn’t always consistent. A British era flashback about a king who had multiple partners, the ghosts having to do something with the paintings in the haunted house, desperate house owners wanting to convert the property into a simulated horror zone, a Marathi speaking elderly woman warning the protagonist about her future – there are several dimensions in the narrative to prove that this isn’t another lazy attempt to cash in on the brand without an effort. This basic element of the story remains the same in the digital series as well. The quintessential idea of Ragini MMS has been the spookiness through a camera when the protagonists in the story are making out and the man more often than not is notorious.
Within that confined space and the can of stereotypes that come it and provided you go with low expectations, the second season of Ragini MMS Returns surprisingly keeps you entertained. There’s very little scope for a franchise like this to explore something out-of-the-box when the conventions are already set. ‘Sex always sells’ is a mantra that its makers have loyally banked on, and the second season of ‘Ragini MMS Returns’ stays true to their core intentions. Ragini MMS has been a sought-out film cum digital franchise that has served a horny mix of horror and erotica to its target audience for several years now. If you’re compelled to give out names that manage to make some impression, the list wouldn’t last beyond Rishika Nag. The other supporting actors don’t fare poorly but there’s hardly a character graph (besides their sexual desires) to get them to shine. The likes of Varun Sood and Divya Agarwal in pivotal roles are at best good looking protagonists, who can survive within the limited acting bandwidth that the series demands.Īarti Khetarpal doesn’t have much to do in the show and the same applies to Thea D’Souza as well. Sunny Leone and Navdeep manage to give a good start to the series with their brief yet arresting acts but there’s not much to drive home in terms of the acting portions later. It’s tough to watch a Ragini MMS series expecting landmark performances from its cast. Little do they know that a series of terrifying incidents in the course of the trip is about to change their lives forever. The unmarried women are in the mood for fun (underline sexual adventures) during their stay in the villa. A few years later, a 20s something Ragini and her group of friends return to the property for a fancy bachelorette. Destiny, however, has other ideas when the two meet their end at the property before they can find answers. BOTTOM LINE: A Well-Layered Premise That Loses Fizz SoonĬanada-based paranormal expert Meena heads to India to dig deep into murky truths behind a property, Victoria Villa in the interiors of Maharashtra, that’s supposedly one of the most haunted spots in the country, accompanied by her boyfriend.
0 kommentar(er)
